Series · 7 books

Harry Potter

They tell a story. Hardcover files every book in this run as fiction, and their readers there call them mysterious and adventurous. Facts, not factors: neither plays any part in our call.

Listen to it

Every book we have judged on how far the recording outruns the page: 201 of them, the page's answer at the left-hand end and the recording's at the right. Marked for scale: All the Light We Cannot See and To Kill a Mockingbird. This one sits in the top 14% of our shelf of books for how far the recording outruns the page. −0.40, where we start backing the page; 0.40, where we start backing the recording.Harry Potter
ordinary · 0.76 clear of the line where this would stop being a listen

Both halves point the same way: 127 readers call it fast, and Stephen Fry’s reading is better received than the book it came from (in the top 24% of our shelf of books, on 222,387 ratings of the narration). About as clear as this gets.

Length does not decide this

124h 36m to listen, at 1×99h 41m to listen, at 1.25×83h 04m to listen, at 1.5×71h 12m to listen, at 1.75×62h 18m to listen, at 2×about 143 hours to readabout 108 hours to readabout 86 hours to readabout 66 hours to readabout 54 hours to read

The runtime is Audible’s, 7 recordings added together, shown at the speed beside it. The reading time is our estimate: 4,300 pages in total at 30 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.The runtime is Audible’s, 7 recordings added together, shown at the speed beside it. The reading time is our estimate: 4,300 pages in total at 40 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.The runtime is Audible’s, 7 recordings added together, shown at the speed beside it. The reading time is our estimate: 4,300 pages in total at 50 pages an hour, which is about 300 words a page, read at 250 a minute.The runtime is Audible’s, 7 recordings added together, shown at the speed beside it. The reading time is our estimate: 4,300 pages in total at 65 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.The runtime is Audible’s, 7 recordings added together, shown at the speed beside it. The reading time is our estimate: 4,300 pages in total at 80 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.

Slot → commute-safe

About as demanding in audio as Slaughterhouse-Five.

All the books we hold · 222

Easier to hear than 71% of the books we hold.

Fiction · 176

About as much work in audio as most of the fiction we hold.

Doorstoppers · 54

Easier to hear than 83% of the doorstoppers we hold.

Reading load against listening load

Every book we hold placed by how much work it asks on the page, left to right, against how much it asks in your ears, bottom to top: 222 of them. Easy both ways is the bottom left corner, hard both ways the top right; above the dashed line the ears work harder, below it the page does. Marked for scale: To Kill a Mockingbird and The Diary of a Young Girl. This one is in the bottom 28% of our shelf of books for effort on the page and in the bottom 27% of our shelf of books for effort in your ears.
The dashed line is where a book would be same effort either way. This one sits below that line (the page asks more of you here than audio does), in the bottom 29% of our shelf of books for extra work in audio.
On the page−0.53
In your ears−0.80
Audio disadvantage−0.59

Where that puts this one among the books we hold: in the bottom 28% of our shelf of books for effort on the page and in the bottom 27% of our shelf of books for effort in your ears. The middle of the scale is not the middle of the shelf (most books sit below the average on both), so a book at 0.00 is already in the top 43% for effort on the page. Each of the three is measured against the whole shelf separately, so the bottom figure is not the top two subtracted. It is this book’s own distance from the middle.

What the audio disadvantage is made of. Two things and no others: how fast readers say this one moves, and how demanding the reviews we read found it. There is no third: the structural one has no data source, so it contributes nothing rather than being guessed at. Both directions are declared priors we have never fitted against a real verdict, which is the weakest-evidenced part of the whole model.

Every book we could measure both features on placed by pace, fast to slow, against how demanding the reviews we read found it, plain to demanding: 166 of them. The easiest listens are the bottom left corner and the hardest the top right, which is the shaded one. Marked for scale: To Kill a Mockingbird and The Diary of a Young Girl. This one reads at about the pace of most books we hold and easier going than most, which is what leaves the format leaning towards the recording.
This one reads at about the pace of most books we hold and easier going than most, which is what leaves the format leaning towards the recording.

How the call was made

Where a bar carries ticks, the grey one is the middle of our shelf and a coloured one is a line we publish, cool where we start backing the page, warm where we start backing the recording. The evidence squares at the foot are a different thing: how far each of our four sources went, hatched where there was nothing to measure at all.

The audio case
1.16It sits in the top 14% of our shelf of books for how far the recording outruns the page. Past the line where we start backing the recording.
Narration payoff
0.57Stephen Fry’s reading is better received than the book it came from: in the top 24% of our shelf of books, on 222,387 ratings of the narration. This is a difference, not a score: it sets the reading against its own book, so a much-loved book with a merely good reading sits low on this shelf even where nobody disliked either.
What is at stake
1.61It sits in the top 5% of our shelf of books for how well the print crowds think of a book: well enough regarded that a wasted first encounter costs more, so we lean towards protecting the page. Blended across 37,804,066 Goodreads ratings and 46,255 on Hardcover, each scored inside its own population first, and never added together.

For the page

  • The print crowds think highly of it

For the recording

  • The voice beats the book
  • An easy listen anyway
  • 222,387 listeners behind it

So the case for the recording won it.

A bigger dot counted for more: the voice and the ear are sized by their share of the sum above, the other two by how much stands behind them. A hatched square is a reason that did not apply here, which is not the same as one that counted for little.

Evidence
1.00How much of the picture we actually have, out of 1.00: four questions, each answered as far as the source could answer it, less anything taken off for reading fewer reviews than we aim to.The reading222,387 people have rated this reading: as good as it getsThe second sourceHardcover knows this book, with 46,255 readers there: as good as it getsThe matchHow sure we are that the recording we scored is this book: as good as it getsThe reviewsWe read 2,100 reviews to judge how demanding it is: as good as it gets

What each crowd complains about

In the reviews we read, how often readers brought it up and how often listeners did, each against what is usual for that same crowd across our whole shelf, which is the grey tick. The track stops at 4×. Listeners are only ever compared with listeners.

Neither crowd brings any of the three up more often than its own crowd usually does. Whatever this book asks of you, its listeners are not saying the format is what makes it hard.

The books in it

Showing the stars as each shop prints them. The two crowds are not measured from the same place: on our shelf Audible’s listeners average 0.35 of a star above Goodreads’ readers, so a recording that is ordinary for Audible can still out-star a book that is genuinely well liked for Goodreads. Switch the toggle to take that difference off.Showing each figure as its distance from its own crowd’s middle on our shelf, in standard deviations, so 0 is a typical book for that crowd. Listeners start 0.35 of a star up, partly because anyone who finishes a twenty-five-hour recording chose it deliberately, and this takes that off. It is not a claim that audio is better, the story figure is still Audible’s own (people rating a story they heard), and none of it moves the verdict above.

One row per book: who reads it, how long it runs, then Audible’s listeners on the story and Goodreads’ readers on the book.

Harry Potter and the Philosopher's Stone
Stephen Fry
8h 25m6h 44m5h 37m4h 49m4h 12mAudible 4.89+1.44Goodreads 4.47+1.28
4.90·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
93%5 stars: 93 per cent, 49,832 ratings
6%4 stars: 6 per cent, 3,077 ratings
1%3 stars: 1 per cent, 469 ratings
0%2 stars: 0 per cent, 132 ratings
1%1 stars: 1 per cent, 281 ratings

53,791 ratings · performance and story, as the shop pools them

4.92+1.27 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
94%5 stars: 94 per cent, 43,748 ratings
5%4 stars: 5 per cent, 2,227 ratings
1%3 stars: 1 per cent, 371 ratings
0%2 stars: 0 per cent, 77 ratings
0%1 stars: 0 per cent, 163 ratings

How often this goes badly0.5% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

240 of 46,586 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 94% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

46,586 ratings

4.89+1.44 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
92%5 stars: 92 per cent, 42,795 ratings
6%4 stars: 6 per cent, 2,931 ratings
1%3 stars: 1 per cent, 498 ratings
0%2 stars: 0 per cent, 99 ratings
0%1 stars: 0 per cent, 173 ratings

46,496 ratings

4.47+1.28 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
64%5 stars: 64 per cent, 7,579,777 ratings
24%4 stars: 24 per cent, 2,799,073 ratings
9%3 stars: 9 per cent, 1,011,035 ratings
2%2 stars: 2 per cent, 224,900 ratings
2%1 stars: 2 per cent, 197,695 ratings

11,812,480 ratings

Harry Potter and the Chamber of Secrets
Stephen Fry
9h 43m7h 46m6h 29m5h 33m4h 52mAudible 4.89+1.40Goodreads 4.43+1.10
4.90·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
92%5 stars: 92 per cent, 32,200 ratings
6%4 stars: 6 per cent, 2,100 ratings
1%3 stars: 1 per cent, 308 ratings
0%2 stars: 0 per cent, 80 ratings
0%1 stars: 0 per cent, 169 ratings

34,857 ratings · performance and story, as the shop pools them

4.93+1.32 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
95%5 stars: 95 per cent, 28,094 ratings
4%4 stars: 4 per cent, 1,216 ratings
1%3 stars: 1 per cent, 187 ratings
0%2 stars: 0 per cent, 47 ratings
0%1 stars: 0 per cent, 90 ratings

How often this goes badly0.5% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

137 of 29,634 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 95% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

29,634 ratings

4.89+1.40 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
91%5 stars: 91 per cent, 26,919 ratings
7%4 stars: 7 per cent, 2,056 ratings
1%3 stars: 1 per cent, 366 ratings
0%2 stars: 0 per cent, 64 ratings
0%1 stars: 0 per cent, 98 ratings

29,503 ratings

4.43+1.10 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
59%5 stars: 59 per cent, 2,754,813 ratings
28%4 stars: 28 per cent, 1,300,087 ratings
11%3 stars: 11 per cent, 502,447 ratings
2%2 stars: 2 per cent, 84,425 ratings
1%1 stars: 1 per cent, 29,489 ratings

4,671,261 ratings

Harry Potter and the Prisoner of Azkaban
Stephen Fry
12h 03m9h 38m8h 02m6h 53m6h 02mAudible 4.92+1.53Goodreads 4.58+1.77
4.92·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
94%5 stars: 94 per cent, 30,480 ratings
5%4 stars: 5 per cent, 1,492 ratings
1%3 stars: 1 per cent, 217 ratings
0%2 stars: 0 per cent, 56 ratings
0%1 stars: 0 per cent, 135 ratings

32,380 ratings · performance and story, as the shop pools them

4.94+1.37 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
96%5 stars: 96 per cent, 26,277 ratings
4%4 stars: 4 per cent, 988 ratings
0%3 stars: 0 per cent, 135 ratings
0%2 stars: 0 per cent, 38 ratings
0%1 stars: 0 per cent, 66 ratings

How often this goes badly0.4% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

104 of 27,504 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 96% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

27,504 ratings

4.92+1.53 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
94%5 stars: 94 per cent, 25,673 ratings
5%4 stars: 5 per cent, 1,446 ratings
1%3 stars: 1 per cent, 211 ratings
0%2 stars: 0 per cent, 32 ratings
0%1 stars: 0 per cent, 80 ratings

27,442 ratings

4.58+1.77 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
69%5 stars: 69 per cent, 3,457,778 ratings
23%4 stars: 23 per cent, 1,162,800 ratings
7%3 stars: 7 per cent, 340,309 ratings
1%2 stars: 1 per cent, 48,698 ratings
1%1 stars: 1 per cent, 31,432 ratings

5,041,017 ratings

Harry Potter and the Goblet of Fire
Stephen Fry
20h 54m16h 43m13h 56m11h 57m10h 27mAudible 4.92+1.52Goodreads 4.57+1.73
4.92·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
94%5 stars: 94 per cent, 29,808 ratings
5%4 stars: 5 per cent, 1,526 ratings
1%3 stars: 1 per cent, 197 ratings
0%2 stars: 0 per cent, 60 ratings
0%1 stars: 0 per cent, 141 ratings

31,732 ratings · performance and story, as the shop pools them

4.93+1.32 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
95%5 stars: 95 per cent, 25,692 ratings
4%4 stars: 4 per cent, 1,059 ratings
1%3 stars: 1 per cent, 173 ratings
0%2 stars: 0 per cent, 43 ratings
0%1 stars: 0 per cent, 85 ratings

How often this goes badly0.5% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

128 of 27,052 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 95% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

27,052 ratings

4.92+1.52 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
94%5 stars: 94 per cent, 25,224 ratings
5%4 stars: 5 per cent, 1,431 ratings
1%3 stars: 1 per cent, 194 ratings
0%2 stars: 0 per cent, 43 ratings
0%1 stars: 0 per cent, 79 ratings

26,971 ratings

4.57+1.73 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
67%5 stars: 67 per cent, 2,923,852 ratings
24%4 stars: 24 per cent, 1,052,467 ratings
7%3 stars: 7 per cent, 300,528 ratings
1%2 stars: 1 per cent, 44,763 ratings
1%1 stars: 1 per cent, 25,791 ratings

4,347,401 ratings

Harry Potter and the Order of the Phoenix
Stephen Fry
29h 01m23h 13m19h 21m16h 35m14h 31mAudible 4.88+1.37Goodreads 4.50+1.41
4.90·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
93%5 stars: 93 per cent, 27,786 ratings
6%4 stars: 6 per cent, 1,745 ratings
1%3 stars: 1 per cent, 282 ratings
0%2 stars: 0 per cent, 76 ratings
0%1 stars: 0 per cent, 128 ratings

30,017 ratings · performance and story, as the shop pools them

4.93+1.31 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
95%5 stars: 95 per cent, 24,240 ratings
4%4 stars: 4 per cent, 1,070 ratings
1%3 stars: 1 per cent, 164 ratings
0%2 stars: 0 per cent, 43 ratings
0%1 stars: 0 per cent, 89 ratings

How often this goes badly0.5% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

132 of 25,606 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 95% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

25,606 ratings

4.88+1.37 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
91%5 stars: 91 per cent, 23,181 ratings
7%4 stars: 7 per cent, 1,764 ratings
2%3 stars: 2 per cent, 397 ratings
0%2 stars: 0 per cent, 80 ratings
0%1 stars: 0 per cent, 87 ratings

25,509 ratings

4.50+1.41 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
64%5 stars: 64 per cent, 2,506,013 ratings
25%4 stars: 25 per cent, 995,703 ratings
9%3 stars: 9 per cent, 337,903 ratings
1%2 stars: 1 per cent, 58,798 ratings
1%1 stars: 1 per cent, 25,731 ratings

3,924,148 ratings

Harry Potter and the Half-Blood Prince
Stephen Fry
20h 31m16h 25m13h 41m11h 43m10h 16mAudible 4.91+1.52Goodreads 4.58+1.77
4.92·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
94%5 stars: 94 per cent, 25,863 ratings
5%4 stars: 5 per cent, 1,287 ratings
1%3 stars: 1 per cent, 151 ratings
0%2 stars: 0 per cent, 51 ratings
0%1 stars: 0 per cent, 110 ratings

27,462 ratings · performance and story, as the shop pools them

4.94+1.37 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
96%5 stars: 96 per cent, 22,371 ratings
3%4 stars: 3 per cent, 764 ratings
1%3 stars: 1 per cent, 132 ratings
0%2 stars: 0 per cent, 24 ratings
0%1 stars: 0 per cent, 68 ratings

How often this goes badly0.4% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

92 of 23,359 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 96% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

23,359 ratings

4.91+1.52 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
93%5 stars: 93 per cent, 21,732 ratings
5%4 stars: 5 per cent, 1,250 ratings
1%3 stars: 1 per cent, 169 ratings
0%2 stars: 0 per cent, 37 ratings
0%1 stars: 0 per cent, 73 ratings

23,261 ratings

4.58+1.77 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
68%5 stars: 68 per cent, 2,575,689 ratings
24%4 stars: 24 per cent, 888,374 ratings
7%3 stars: 7 per cent, 249,617 ratings
1%2 stars: 1 per cent, 40,348 ratings
1%1 stars: 1 per cent, 20,869 ratings

3,774,897 ratings

Harry Potter and the Deathly Hallows
Stephen Fry
23h 59m19h 11m15h 59m13h 42m12h 00mAudible 4.94+1.60Goodreads 4.62+1.95
4.95·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
96%5 stars: 96 per cent, 47,143 ratings
3%4 stars: 3 per cent, 1,543 ratings
0%3 stars: 0 per cent, 224 ratings
0%2 stars: 0 per cent, 59 ratings
0%1 stars: 0 per cent, 119 ratings

49,088 ratings · performance and story, as the shop pools them

4.95+1.42 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
97%5 stars: 97 per cent, 41,879 ratings
3%4 stars: 3 per cent, 1,215 ratings
0%3 stars: 0 per cent, 185 ratings
0%2 stars: 0 per cent, 54 ratings
0%1 stars: 0 per cent, 60 ratings

How often this goes badly0.3% of the people who rated the performance gave it one or two stars. Fewer than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

114 of 43,393 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 97% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

43,393 ratings

4.94+1.60 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
95%5 stars: 95 per cent, 41,014 ratings
4%4 stars: 4 per cent, 1,771 ratings
1%3 stars: 1 per cent, 291 ratings
0%2 stars: 0 per cent, 69 ratings
0%1 stars: 0 per cent, 60 ratings

43,205 ratings

4.62+1.95 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
73%5 stars: 73 per cent, 3,075,426 ratings
20%4 stars: 20 per cent, 838,010 ratings
6%3 stars: 6 per cent, 236,325 ratings
1%2 stars: 1 per cent, 48,398 ratings
1%1 stars: 1 per cent, 34,703 ratings

4,232,862 ratings

The verdict is for the series as one commitment (124h 36m99h 41m83h 04m71h 12m62h 18m of it), because that is the decision you are actually making.

The series

Harry Potter

No more announced yet · One voice throughout

8 books numbered on Goodreads’ list, with 2 novellas or companions filed between them. Everything Goodreads lists is published, the last of it in 2024, and nothing new is announced, which is not the same thing as finished. We start saying finished after five quiet years.

Stephen Fry reads all of the 7 volumes Audible names in our records.

From Goodreads’ own series index, checked on 11 September 2026.

Every reading we hold

Two complete readings of Harry Potter and the Philosopher's Stone, and one call above for the book: the verdict is a claim about format, not about a voice. Which voice to press play on is the next question, and this is our answer to it. Below 250 ratings of the reading we name a recording and decline to rank it.

Listeners rate Stephen Fry’s performance 0.34 of a star above Hugh Laurie, Matthew Macfadyen, Riz Ahmed and 12 more voices’s: 4.92 on 46,496 ratings against 4.58 on 5,431 ratings.

Stephen Fry’s reading of Harry Potter and the Chamber of Secrets is in our Hall of Fame, and the figures that earned it are all on that page.

Stephen Fry’s reading of Harry Potter and the Deathly Hallows is in our Hall of Fame, and the figures that earned it are all on that page.

Stephen Fry’s reading of Harry Potter and the Goblet of Fire is in our Hall of Fame, and the figures that earned it are all on that page.

Stephen Fry’s reading of Harry Potter and the Half-Blood Prince is in our Hall of Fame, and the figures that earned it are all on that page.

Stephen Fry’s reading of Harry Potter and the Order of the Phoenix is in our Hall of Fame, and the figures that earned it are all on that page.

Stephen Fry’s reading of Harry Potter and the Philosopher's Stone is in our Hall of Fame, and the figures that earned it are all on that page.

Stephen Fry’s reading of Harry Potter and the Prisoner of Azkaban is in our Hall of Fame, and the figures that earned it are all on that page.

The recording we mean · Harry Potter and the Philosopher's Stone

Runtime
8h 25m at 1×
Read by
Stephen Fry
Kind
One voice
ASIN
B017V568SY · Audible UK
Rated in
Audible UK and US · 40,401 + 6,185 ratings of the performance
Judged on
222,387 ratings of the narration
Published
Pottermore Publishing · 2015

Audible sorts a search by newest, so ours may not be the first one you are offered. The runtime is the check: if the one in front of you says 8h 25m, that is the reading these numbers describe. “Judged on” is the crowd behind every judgement we make about this reading: the smaller of the performance and story counts, which is why it is a little under the two shop counts added. We do not link out to a shop, and we take nothing if you buy there.