Work · one recording

The Power of Now: A Guide to Spiritual Enlightenment

It explains. Hardcover files this book as non-fiction. A fact, not a factor: it plays no part in our call.

Read it

Every book we have judged on how far the recording outruns the page: 201 of them, the page's answer at the left-hand end and the recording's at the right. Marked for scale: All the Light We Cannot See, To Kill a Mockingbird and Harry Potter and the Philosopher's Stone. This one sits in the bottom 18% of our shelf of books for how far the recording outruns the page. −0.40, where we start backing the page; 0.40, where we start backing the recording.The Power of Now: A Guide to Spiritual Enlightenment
ordinary · 0.54 clear of the line where this would stop being a read

The book is fine. The recording is the weaker half: Eckhart Tolle’s reading lands in the bottom 11% of our shelf of books, on 40,988 ratings of the narration. Not a scandal, just enough to tip a close call to the page.

Length does not decide this

7h 37m to listen, at 1×6h 06m to listen, at 1.25×5h 05m to listen, at 1.5×4h 21m to listen, at 1.75×3h 49m to listen, at 2×about 8 hours to readabout 6 hours to readabout 4½ hours to readabout 3½ hours to readabout 3 hours to read

The runtime is Audible’s own, shown at the speed beside it. The reading time is our estimate: 229 pages at 30 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.The runtime is Audible’s own, shown at the speed beside it. The reading time is our estimate: 229 pages at 40 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.The runtime is Audible’s own, shown at the speed beside it. The reading time is our estimate: 229 pages at 50 pages an hour, which is about 300 words a page, read at 250 a minute.The runtime is Audible’s own, shown at the speed beside it. The reading time is our estimate: 229 pages at 65 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.The runtime is Audible’s own, shown at the speed beside it. The reading time is our estimate: 229 pages at 80 pages an hour, the pace you told us. Ours is 50, about 300 words a page, read at 250 a minute.

If you must listen → dedicated listening only

Easier in audio than The Handmaid's Tale.

All the books we hold · 222

About as much work in audio as most of the books we hold.

Non-fiction · 27

About as much work in audio as most of the non-fiction we hold.

Short books · 57

Harder work in audio than 84% of the short books we hold.

Reading load against listening load

Every book we hold placed by how much work it asks on the page, left to right, against how much it asks in your ears, bottom to top: 222 of them. Easy both ways is the bottom left corner, hard both ways the top right; above the dashed line the ears work harder, below it the page does. Marked for scale: Harry Potter and the Philosopher's Stone, To Kill a Mockingbird and The Diary of a Young Girl. This one is in the top 28% of our shelf of books for effort on the page and in the middle 40% of our shelf of books for effort in your ears.
The dashed line is where a book would be same effort either way. This one sits on that line (the format is not fighting you either way), between the bottom 34% and the top 23% of our shelf of books for extra work in audio.
On the page0.26
In your ears0.34
Audio disadvantage0.26

Where that puts this one among the books we hold: in the top 28% of our shelf of books for effort on the page and in the middle 40% of our shelf of books for effort in your ears. The middle of the scale is not the middle of the shelf (most books sit below the average on both), so a book at 0.00 is already in the top 43% for effort on the page. Each of the three is measured against the whole shelf separately, so the bottom figure is not the top two subtracted. It is this book’s own distance from the middle.

What the audio disadvantage is made of. Two things and no others: how fast readers say this one moves, and how demanding the reviews we read found it. There is no third: the structural one has no data source, so it contributes nothing rather than being guessed at. Both directions are declared priors we have never fitted against a real verdict, which is the weakest-evidenced part of the whole model.

Every book we could measure both features on placed by pace, fast to slow, against how demanding the reviews we read found it, plain to demanding: 166 of them. The easiest listens are the bottom left corner and the hardest the top right, which is the shaded one. Marked for scale: Harry Potter and the Philosopher's Stone, To Kill a Mockingbird and The Diary of a Young Girl. This one is not placed: too few readers have told Hardcover how fast it moves for us to put it anywhere honestly.
This one is not placed: too few readers have told Hardcover how fast it moves for us to put it anywhere honestly.

How the call was made

Where a bar carries ticks, the grey one is the middle of our shelf and a coloured one is a line we publish, cool where we start backing the page, warm where we start backing the recording. The evidence squares at the foot are a different thing: how far each of our four sources went, hatched where there was nothing to measure at all.

The audio case
−0.94It sits in the bottom 18% of our shelf of books for how far the recording outruns the page. Past the line where we start backing the page.
Narration payoff
−0.68Eckhart Tolle’s reading is less well received than the book it came from: in the bottom 11% of our shelf of books, on 40,988 ratings of the narration. This is a difference, not a score: it sets the reading against its own book, so a much-loved book with a merely good reading sits low on this shelf even where nobody disliked either. Asked the other way (how the reading stands against what the book’s own readers made of it, which is a different crowd rating a different thing), it comes out 0.03. We report that one and never score it: two crowds that do not overlap are held together by nothing but the standardising, which is a cost the figure above does not pay.
What is at stake
−0.48It sits between the bottom 27% and the top 33% of our shelf of books for how well the print crowds think of a book: middling regard, so this barely moves the call either way. Blended across 474,711 Goodreads ratings and 353 on Hardcover, each scored inside its own population first, and never added together.

For the page

  • The voice lets the book down
  • The crowds’ regard did not reach the line where we protect a first read, this reason did not apply

For the recording

  • Audio is neither helping nor fighting this one
  • 40,988 listeners behind it

So the case for the page won it.

A bigger dot counted for more: the voice and the ear are sized by their share of the sum above, the other two by how much stands behind them. A hatched square is a reason that did not apply here, which is not the same as one that counted for little.

Evidence
1.00How much of the picture we actually have, out of 1.00: four questions, each answered as far as the source could answer it, less anything taken off for reading fewer reviews than we aim to.The reading40,988 people have rated this reading: as good as it getsThe second sourceHardcover knows this book, with 353 readers there: as good as it getsThe matchHow sure we are that the recording we scored is this book: as good as it getsThe reviewsWe read 300 reviews to judge how demanding it is: as good as it gets

What each crowd complains about

In the reviews we read, how often readers brought it up and how often listeners did, each against what is usual for that same crowd across our whole shelf, which is the grey tick. The track stops at 4×. Listeners are only ever compared with listeners.

Readers of this book bring up how hard it is to follow about 1.7 times as often as readers usually do, while listeners of it bring it up about as often as listeners usually do.

What the two crowds said

Showing the stars as each shop prints them. The two crowds are not measured from the same place: on our shelf Audible’s listeners average 0.35 of a star above Goodreads’ readers, so a recording that is ordinary for Audible can still out-star a book that is genuinely well liked for Goodreads. Switch the toggle to take that difference off.Showing each figure as its distance from its own crowd’s middle on our shelf, in standard deviations, so 0 is a typical book for that crowd. Listeners start 0.35 of a star up, partly because anyone who finishes a twenty-five-hour recording chose it deliberately, and this takes that off. It is not a claim that audio is better, the story figure is still Audible’s own (people rating a story they heard), and none of it moves the verdict above.

4.66·Audible
overall
Audible
overall, pooled by the shop, so we hold no ruler for it
81%5 stars: 81 per cent, 42,064 ratings
10%4 stars: 10 per cent, 5,233 ratings
4%3 stars: 4 per cent, 2,107 ratings
2%2 stars: 2 per cent, 931 ratings
3%1 stars: 3 per cent, 1,292 ratings

51,627 ratings · performance and story, as the shop pools them

4.60−0.11 sdAudible
the performance
Audible
the performance, against Audible’s own crowd
78%5 stars: 78 per cent, 32,352 ratings
12%4 stars: 12 per cent, 4,938 ratings
5%3 stars: 5 per cent, 2,184 ratings
2%2 stars: 2 per cent, 884 ratings
3%1 stars: 3 per cent, 1,203 ratings

How often this goes badly5.0% of the people who rated the performance gave it one or two stars. More than most recordings here. The middle of our shelf is 2.0%, and half of it falls between 1.0% and 3.1%.

2,087 of 41,561 listeners gave the performance one or two stars

The shape of the room

  • United, this one
  • Warm
  • Split
  • Lukewarm

A united room: 78% of the listeners gave the performance five stars. A room that agrees this far leaves little to gamble on.

41,561 ratings

4.66+0.52 sdAudible
the story, as heard
Audible
the story, as heard, against Audible’s own crowd
81%5 stars: 81 per cent, 33,231 ratings
11%4 stars: 11 per cent, 4,365 ratings
4%3 stars: 4 per cent, 1,760 ratings
2%2 stars: 2 per cent, 669 ratings
2%1 stars: 2 per cent, 963 ratings

40,988 ratings

4.15−0.14 sdGoodreads
the book itself
Goodreads
the book itself, against Goodreads’ own crowd
49%5 stars: 49 per cent, 234,089 ratings
28%4 stars: 28 per cent, 130,781 ratings
15%3 stars: 15 per cent, 70,600 ratings
5%2 stars: 5 per cent, 24,656 ratings
3%1 stars: 3 per cent, 14,585 ratings

474,711 ratings

Every reading we hold

One complete reading of this book, and it is the reading every audio figure above is measured on. If there is another, we have not found it. The shelf grows in reviewed batches, never because somebody searched for a book.

  • Eckhart Tolleour pick7h 37m6h 06m5h 05m4h 21m3h 49m · One voice · Audible UK and US
    • The author reads it

    Performance 4.60 · Story 4.66 · 40,988 rated the reading · 5.0% of the people who rated the performance gave it one or two stars

    Hear it · Audible’s clip, its length read from them on load

The recording we mean

Runtime
7h 37m at 1×
Read by
Eckhart Tolle
Kind
One voice
ASIN
B004EX04PK · Audible UK
Rated in
Audible UK and US · 8,363 + 33,198 ratings of the performance
Judged on
40,988 ratings of the narration
Published
New World Library · 2000

Audible sorts a search by newest, so ours may not be the first one you are offered. The runtime is the check: if the one in front of you says 7h 37m, that is the reading these numbers describe. “Judged on” is the crowd behind every judgement we make about this reading: the smaller of the performance and story counts, which is why it is a little under the two shop counts added. We do not link out to a shop, and we take nothing if you buy there.